814 SW First Avenue
 Portland
 Oregon 97204

phone: (503) 224 4020  

george@broderickgallery.com  


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January 2007

Wyoming Landscape

Pat Hanson and K.C. Madsen

 

First Thursday Reception  -  January 11th from 5 to 9 pm.
The exhibition will run from January 2 through January 30, 2007
Gallery hours are Tuesday through Saturday, 11-6 and by appointment

 
BRODERICK GALLERY announces an exhibition entitled “Wyoming Landscape,” showcasing works by Portland artists, Pat Hanson and K.C. Madsen. The exhibition will run from January 2 through January 30, 2007. An artists’ reception will be held on Thursday, January 11, 5-9 p.m

 

Pat Hanson

"Parfleche II"
Acrylic, charcoal, ink, oil pastel, transfer on wood
21" X 21"


 

Both artists were awarded and completed month-long residencies early in 2006 at the Jentel Artist Residency near Sheridan, Wyoming. The Broderick show will present work that Hanson and Madsen created at Jentel. Each year the residency supports the ongoing work of a handful of artists and writers by providing studio space, living quarters, meals and camaraderie at a remote cattle ranch in Wyoming’s Lower Piney Creek Valley below the Big Horn Mountains—a far cry from the streets of Portland.


 
The Wyoming work of the two Portlanders represents their personal response to the environment, landscape and history of this quintessential piece of the wild west, the former stomping grounds of the likes of General Custer, Buffalo Bill Cody and Chief Red Cloud.

 
Hanson’s paintings are constructed using acrylic paint, charcoal, oil pastel, tape, pencil and photocopy transfers. She responds to land, sky, history and myth with fields of color and symbolic mark making. Her work  reflects her interests in mapping, documentation and the natural world.
 

K.C. Madsen

Red Cloud
Acrylic, graphite and encaustic on treated industrial paper
21" X 29" X 25"


 

While Hanson’s works are a deliberately 2-dimensional charting of the physical and psychic landscape, Madsen’s pieces are deliberately and dramatically 3-dimensional. Like diminutive versions of her nine foot high crumpled paper sculptures featured in the 2006 Oregon Biennial, these new pieces are 2–3 feet high free-standing encaustic paintings, reflecting the Wyoming landscape abstractly through her exploration of color and motion.

 

 


Many thanks to our friends at Fernando's Hideaway for providing the excellent Spanish wines we've featured at our show openings and musical performances.

 

The Best Of 2005   Willamette Week Online Wed, 28 Dec 2005

 

 

 

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